The Northern Renaissance describes the Renaissance in northern Europe. Before 1450, Renaissance humanism had little influence outside Italy; however, after 1450 these ideas began to spread across Europe. This influenced the Renaissance periods in Germany, France, England, the Netherlands, and Poland. There were also other national and localized movements. Each of these regional expressions of the Renaissance evolved with different characteristics and strengths. In some areas, the Northern Renaissance was distinct from the Italian Renaissance in its centralization of political power. While Italy and Germany were dominated by independent city-states, parts of central and western Europe began emerging as nation-states. The Northern Renaissance was also closely linked to the Protestant Reformation, and the long series of internal and external conflicts between various Protestant groups and the Roman Catholic Church had lasting effects.
As in Italy, the decline of feudalism opened the way for the cultural, social, and economic changes associated with the Renaissance in northern Europe. Northern painters in the 16th century increasingly looked to Rome for influence, and became known as the Romanists. The High Renaissance art of Michelangelo and Raphael and the stylistic tendencies of Mannerism had a significant impact on their work. Although Renaissance humanism and the large number of surviving classical artworks and monuments in Italy encouraged many Italian painters to explore Greco-Roman themes, Northern Renaissance painters developed other subject matters, such as landscape and genre painting.
Danae by Jan Mabuse
One of the most well-known Romanists was Jan Mabuse. The influence of Michelangelo and Raphael showed in the use of mythology and nudity in this particular piece.
As Renaissance art styles moved through northern Europe, they were adapted to local customs. For example, in England and the northern Netherlands, the Reformation nearly ended the tradition of religious painting. In France, the School of Fontainebleau, which was originally founded by Italians such as Rosso Fiorentino, succeeded in establishing a durable national style. Finally, by the end of the 16th century, artists such as Karel van Mander and Hendrik Goltzius collected in Haarlem in a brief but intense phase of Northern Mannerism that also spread to Flanders.