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        <title>MIT OpenCourseWare: New Courses in Global Languages</title>
        
        <description>New courses in Global Languages from MIT OpenCourseWare, provider of free and open MIT course materials.</description>
        
        <link>https://ocw.mit.edu/courses/global-languages</link>
        
        <dc:date>2022-02-11T17:22:08+05:00</dc:date>
        
        <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
        
        <dc:language>en-US</dc:language>
        
        <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
        
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                <rdf:li rdf:resource="https://ocw.mit.edu/courses/global-languages/21g-410-advanced-german-professional-communication-spring-2017"/>
                <rdf:li rdf:resource="https://ocw.mit.edu/courses/global-languages/21g-820-the-beat-of-brazil-brazilian-society-through-its-music-fall-2016"/>
                <rdf:li rdf:resource="https://ocw.mit.edu/courses/global-languages/21g-027-asia-in-the-modern-world-images-representations-fall-2016"/>
                <rdf:li rdf:resource="https://ocw.mit.edu/courses/global-languages/21g-322j-frenchness-in-an-era-of-globalization-fall-2016"/>
                <rdf:li rdf:resource="https://ocw.mit.edu/courses/global-languages/21g-225-advanced-workshop-in-writing-for-science-and-engineering-els-spring-2016"/>
                <rdf:li rdf:resource="https://ocw.mit.edu/courses/global-languages/21g-039j-gender-and-japanese-popular-culture-fall-2015"/>
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    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-504-japanese-iv-spring-2020">
          
          <title>21G.504 Japanese IV (MIT)</title>
          
          <description>The main objective of this course is to build up basic skills of communication in Japanese using appropriate speech levels in both writing and speaking for various social settings. This course covers Lessons 19 through 23 in the textbook Genki: An Integrated Course in Elementary Japanese II.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-504-japanese-iv-spring-2020</link>
		  
		  
			<fromsemester>Spring</fromsemester>
          
			<fromyear>2020</fromyear>
		                 
          
          <dc:creator>Aikawa, Takako</dc:creator>
          <dc:creator>Ikeda-Lamm, Masami</dc:creator>
          <dc:creator>Maekawa, Wakana</dc:creator>
          <dc:creator>Rafique, Emiko</dc:creator>
          
          <dc:date>2020-10-22T21:42:45+05:00</dc:date>
          
          <dc:relation>21G.504</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>Japan</dc:subject>
          <dc:subject>East Asian language</dc:subject>
          <dc:subject>kana</dc:subject>
          <dc:subject>katakana</dc:subject>
          <dc:subject>hiragana</dc:subject>
          <dc:subject>kanji</dc:subject>
          <dc:subject>intermediate Japanese</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-502-japanese-ii-spring-2020">
          
          <title>21G.502 Japanese II (MIT)</title>
          
          <description>This course covers Genki I Lessons 7 through 12 that will enhance the basic skills for conversation, reading, and writing in Japenese. The program emphasizes active command of the language rather than passive knowledge. By the end of the semester, you will be able to carry on a conversation in Japanese. You will also learn approximately 90 kanji characters.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-502-japanese-ii-spring-2020</link>
		  
		  
			<fromsemester>Spring</fromsemester>
          
			<fromyear>2020</fromyear>
		                 
          
          <dc:creator>Aikawa, Takako</dc:creator>
          <dc:creator>Ikeda-Lamm, Masami</dc:creator>
          <dc:creator>Maekawa, Wakana</dc:creator>
          <dc:creator>Rafique, Emiko</dc:creator>
          
          <dc:date>2020-09-17T14:23:26+05:00</dc:date>
          
          <dc:relation>21G.502</dc:relation>
          <dc:relation>21G.552</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>Japanese</dc:subject>
          <dc:subject>East Asian language</dc:subject>
          <dc:subject>Genki</dc:subject>
          <dc:subject>Nihongo</dc:subject>
          <dc:subject>Kanji</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-501-japanese-i-fall-2019">
          
          <title>21G.501 Japanese I (MIT)</title>
          
          <description>This course is designed for students with no previous knowledge of the language, providing opportunities to acquire basic skills for conversation, reading, and writing in Japanese. The program emphasizes active command of Japanese, not passive knowledge. Your goal is not simply to study the grammar and vocabulary, but to gain skills necessary to use them in a linguistically and culturally appropriate way.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-501-japanese-i-fall-2019</link>
		  
		  
			<fromsemester>Fall</fromsemester>
          
			<fromyear>2019</fromyear>
		                 
          
          <dc:creator>Aikawa, Takako</dc:creator>
          <dc:creator>Ikeda-Lamm, Masami</dc:creator>
          <dc:creator>Maekawa, Wakana</dc:creator>
          <dc:creator>Rafique, Emiko</dc:creator>
          
          <dc:date>2020-08-03T15:02:31+05:00</dc:date>
          
          <dc:relation>21G.501</dc:relation>
          <dc:relation>21G.551</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>Japanese</dc:subject>
          <dc:subject>Japanese language</dc:subject>
          <dc:subject>nihongo</dc:subject>
          <dc:subject>katakana</dc:subject>
          <dc:subject>hiragana</dc:subject>
          <dc:subject>kanji</dc:subject>
          <dc:subject>genki</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-503-japanese-iii-fall-2019">
          
          <title>21G.503 Japanese III (MIT)</title>
          
          <description>Students further develop their skills in Japanese speaking, listening, reading, and writing in this intermediate language course. This course involves continued vocabulary and kanji building.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-503-japanese-iii-fall-2019</link>
		  
		  
			<fromsemester>Fall</fromsemester>
          
			<fromyear>2019</fromyear>
		                 
          
          <dc:creator>Aikawa, Takako</dc:creator>
          <dc:creator>Ikeda-Lamm, Masami</dc:creator>
          <dc:creator>Maekawa, Wakana</dc:creator>
          <dc:creator>Rafique, Emiko</dc:creator>
          
          <dc:date>2020-06-01T13:12:05+05:00</dc:date>
          
          <dc:relation>21G.503</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>Japanese</dc:subject>
          <dc:subject>intermediate Japanese</dc:subject>
          <dc:subject>Japanese dialogue</dc:subject>
          <dc:subject>Japanese vocabulary</dc:subject>
          <dc:subject>foreign language</dc:subject>
          <dc:subject>Asian language</dc:subject>
          <dc:subject>Asia</dc:subject>
          <dc:subject>Asian culture</dc:subject>
          <dc:subject>Kanji</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-104-chinese-iv-regular-spring-2018">
          
          <title>21G.104 Chinese IV (Regular) (MIT)</title>
          
          <description>Together with 21G.103 Chinese III, this course forms the intermediate level of what constitutes a four-term foundation in Mandarin. Upon completion of Chinese III and IV, students should be able to speak Chinese with fluency on everyday topics, reach a literacy level of 750 characters (approximately 1200 common words written in both traditional and simplified characters), read materials written in simple standard written Chinese, and produce both orally and in writing short compositions on everyday topics. Throughout the course we will address issues of how cultural differences inform and are informed by different linguistic contexts and practices.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-104-chinese-iv-regular-spring-2018</link>
		  
		  
			<fromsemester>Spring</fromsemester>
          
			<fromyear>2018</fromyear>
		                 
          
          <dc:creator>Liao, Haohsiang</dc:creator>
          
          <dc:date>2020-04-02T13:58:45+05:00</dc:date>
          
          <dc:relation>21G.104</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>intermediate Chinese</dc:subject>
          <dc:subject>East Asian language</dc:subject>
          <dc:subject>China; Mandarin</dc:subject>
          <dc:subject>intermediate Chinese reading</dc:subject>
          <dc:subject>intermediate Chinese writing</dc:subject>
          <dc:subject>intermediate Chinese speaking</dc:subject>
          <dc:subject>comprehension</dc:subject>
          <dc:subject>pinyin</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-025-africa-and-the-politics-of-knowledge-spring-2019">
          
          <title>21G.025 Africa and the Politics of Knowledge (MIT)</title>
          
          <description>This course considers how, despite its immense diversity, Africa continues to hold purchase as both a geographical entity and meaningful knowledge category. It examines the relationship between articulations of &amp;quot;Africa&amp;quot; and projects like European imperialism, developments in the biological sciences, African de-colonization and state-building, and the imagining of the planet's future. Readings in anthropology and history are organized around five themes: space and place, race, representation, self-determination, and time.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-025-africa-and-the-politics-of-knowledge-spring-2019</link>
		  
		  
			<fromsemester>Spring</fromsemester>
          
			<fromyear>2019</fromyear>
		                 
          
          <dc:creator>Edoh, M. Amah</dc:creator>
          
          <dc:date>2020-03-10T23:13:54+05:00</dc:date>
          
          <dc:relation>21G.025</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>Africa</dc:subject>
          <dc:subject>geography</dc:subject>
          <dc:subject>history</dc:subject>
          <dc:subject>biology</dc:subject>
          <dc:subject>political science</dc:subject>
          <dc:subject>race</dc:subject>
          <dc:subject>Afrocentrism</dc:subject>
          <dc:subject>independence</dc:subject>
          <dc:subject>modernization</dc:subject>
          <dc:subject>dependency theories</dc:subject>
          <dc:subject>African Renaissance</dc:subject>
          <dc:subject>Rwanda</dc:subject>
          <dc:subject>Vodou</dc:subject>
          <dc:subject>Vodun</dc:subject>
          <dc:subject>Négritude</dc:subject>
          <dc:subject>Inadelso Cossa</dc:subject>
          <dc:subject>Jean-Sébastien Duvilaire</dc:subject>
          <dc:subject>Kwame Nkrumah</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-221-communicating-in-american-culture-s-spring-2019">
          
          <title>21G.221 Communicating in American Culture(s) (MIT)</title>
          
          <description>In Communicating in American Culture(s), bilingual students examine how various aspects of American culture&amp;mdash;history, geography, institutions, traditions, values&amp;mdash;have shaped dominant Anglo-American communication norms and responses to critical events in the world. In addition, you can expect to practice and strengthen your analytical and communication skills in a carefully scaffolded manner, starting with frequent short writing and speaking tasks and progressing to longer, more formal tasks.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-221-communicating-in-american-culture-s-spring-2019</link>
		  
		  
			<fromsemester>Spring</fromsemester>
          
			<fromyear>2019</fromyear>
		                 
          
          <dc:creator>Dunphy, Jane</dc:creator>
          
          <dc:date>2019-11-05T20:57:56+05:00</dc:date>
          
          <dc:relation>21G.221</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>communication norms</dc:subject>
          <dc:subject>social rituals</dc:subject>
          <dc:subject>cultural identity</dc:subject>
          <dc:subject>cultural geography</dc:subject>
          <dc:subject>Anglo-American culture</dc:subject>
          <dc:subject>religion</dc:subject>
          <dc:subject>popular culture</dc:subject>
          <dc:subject>sports</dc:subject>
          <dc:subject>professional communication</dc:subject>
          <dc:subject>greetings</dc:subject>
          <dc:subject>formality</dc:subject>
          <dc:subject>informality</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-103-chinese-iii-regular-fall-2018">
          
          <title>21G.103 Chinese III (Regular) (MIT)</title>
          
          <description>This course forms the intermediate level of what constitutes a four-term foundation in Mandarin. Upon completion of Chinese III and IV, students should be able to speak Chinese with fluency on everyday topics, reach a literacy level of 700 characters (approximately 2000 common words written in both traditional and simplified characters), read materials in simple standard written Chinese, and produce both orally and in writing short compositions on everyday topics. Throughout the course we will address issues of how cultural differences inform and are informed by different linguistic contexts and practices.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-103-chinese-iii-regular-fall-2018</link>
		  
		  
			<fromsemester>Fall</fromsemester>
          
			<fromyear>2018</fromyear>
		                 
          
          <dc:creator>Liao, Haohsiang</dc:creator>
          
          <dc:date>2019-02-06T17:39:07+05:00</dc:date>
          
          <dc:relation>21G.103</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>intermediate Chinese</dc:subject>
          <dc:subject>language</dc:subject>
          <dc:subject>East Asian language</dc:subject>
          <dc:subject>China</dc:subject>
          <dc:subject>Mandarin</dc:subject>
          <dc:subject>Chinese reading</dc:subject>
          <dc:subject>Chinese writing</dc:subject>
          <dc:subject>Chinese speaking</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-026-global-africa-creative-cultures-spring-2018">
          
          <title>21G.026 Global Africa: Creative Cultures (MIT)</title>
          
          <description>This course examines contemporary and historical cultural production on and from Africa across a range of registers, including literary, musical and visual arts, material culture, and science and technology. It employs key theoretical concepts from anthropology and social theory to analyze these forms and phenomena. It also uses case studies to consider how Africa articulates its place in, and relationship to, the world through creative practices. Discussion topics are largely drawn from Francophone and sub-Saharan Africa, but also from throughout the continent and the African diaspora.&amp;nbsp;</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-026-global-africa-creative-cultures-spring-2018</link>
		  
		  
			<fromsemester>Spring</fromsemester>
          
			<fromyear>2018</fromyear>
		                 
          
          <dc:creator>Edoh, M. Amah</dc:creator>
          
          <dc:date>2018-12-18T21:16:42+05:00</dc:date>
          
          <dc:relation>21G.026</dc:relation>
          <dc:relation>21G.326</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>Africa</dc:subject>
          <dc:subject>visual arts</dc:subject>
          <dc:subject>music</dc:subject>
          <dc:subject>material culture</dc:subject>
          <dc:subject>science</dc:subject>
          <dc:subject>technology</dc:subject>
          <dc:subject>fashion</dc:subject>
          <dc:subject>African art</dc:subject>
          <dc:subject>African cinema</dc:subject>
          <dc:subject>African literature</dc:subject>
          <dc:subject>Nollywood</dc:subject>
          <dc:subject>La Noire de</dc:subject>
          <dc:subject>Qusmane Sembene</dc:subject>
          <dc:subject>La Sape</dc:subject>
          <dc:subject>An African City</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-049-french-photography-spring-2017">
          
          <title>21G.049 French Photography (MIT)</title>
          
          <description>This course introduces students to the world of French photography from its invention in the 1820s to the present. It provides exposure to major photographers and images of the French tradition, and encourages students to explore the social and cultural roles and meanings of photographs. Designed to help students navigate their own photo-saturated worlds, it also provides opportunity to gain practical experience in photography. Taught in English.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-049-french-photography-spring-2017</link>
		  
		  
			<fromsemester>Spring</fromsemester>
          
			<fromyear>2017</fromyear>
		                 
          
          <dc:creator>Clark, Catherine</dc:creator>
          
          <dc:date>2018-01-24T18:20:04+05:00</dc:date>
          
          <dc:relation>21G.049</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>French</dc:subject>
          <dc:subject>France</dc:subject>
          <dc:subject>photography</dc:subject>
          <dc:subject>role in modern society</dc:subject>
          <dc:subject>visual and formal analysis</dc:subject>
          <dc:subject>printed forms</dc:subject>
          <dc:subject>historical analysis</dc:subject>
          <dc:subject>aesthetic trends</dc:subject>
          <dc:subject>Dagguerre</dc:subject>
          <dc:subject>Dagguerrotype</dc:subject>
          <dc:subject>Barthes</dc:subject>
          <dc:subject>portraiture</dc:subject>
          <dc:subject>carte de visite</dc:subject>
          <dc:subject>resemblance</dc:subject>
          <dc:subject>surrealism</dc:subject>
          <dc:subject>abstraction</dc:subject>
          <dc:subject>realism</dc:subject>
          <dc:subject>street photography</dc:subject>
          <dc:subject>Kertesz</dc:subject>
          <dc:subject>Baudelaire</dc:subject>
          <dc:subject>calotypomania</dc:subject>
          <dc:subject>urbanism</dc:subject>
          <dc:subject>picture-taking</dc:subject>
          <dc:subject>picture postcards</dc:subject>
          <dc:subject>neo-realism</dc:subject>
          <dc:subject>Sontag</dc:subject>
          <dc:subject>war photography</dc:subject>
          <dc:subject>fashion</dc:subject>
          <dc:subject>digital images</dc:subject>
          <dc:subject>photo-sharing</dc:subject>
          <dc:subject>instagram</dc:subject>
          <dc:subject>Ducros</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-410-advanced-german-professional-communication-spring-2017">
          
          <title>21G.410 Advanced German: Professional Communication (MIT)</title>
          
          <description>This course exposes students to current issues and language use in German technology, business, and international industrial relations, and discusses ramifications of these issues in a larger social and cultural context. We seek to prepare students who wish to work or study in a German-speaking country by focusing on specialized vocabulary and systematic training in speaking and writing skills to improve fluency and style and emphasizing communicative strategies that are crucial in a working environment. Discussion and analysis of newspaper and magazine articles, modern expository prose, and extensive use of online material are included. Taught in German.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-410-advanced-german-professional-communication-spring-2017</link>
		  
		  
			<fromsemester>Spring</fromsemester>
          
			<fromyear>2017</fromyear>
		                 
          
          <dc:creator>Weise, Peter</dc:creator>
          
          <dc:date>2017-12-08T19:48:05+05:00</dc:date>
          
          <dc:relation>21G.410</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>German technology</dc:subject>
          <dc:subject>business</dc:subject>
          <dc:subject>international industrial relations</dc:subject>
          <dc:subject>specialized vocabulary</dc:subject>
          <dc:subject>systematic training</dc:subject>
          <dc:subject>speaking and writing skills</dc:subject>
          <dc:subject>communicative strategies</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-820-the-beat-of-brazil-brazilian-society-through-its-music-fall-2016">
          
          <title>21G.820 The Beat of Brazil: Brazilian Society Through Its Music (MIT)</title>
          
          <description>This course will present students with an overview of Brazilian popular music, from the late nineteenth century to the present day. Considered an advanced course, it aims to build vocabulary competence and improve oral communication through the study and discussion of topics about cultural aspects and current issues in Brazil. It is designed to give students extensive experience in Portuguese and emphasizes skill development and refinement in the area of critical reading and writing in Portuguese.&amp;nbsp;</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-820-the-beat-of-brazil-brazilian-society-through-its-music-fall-2016</link>
		  
		  
			<fromsemester>Fall</fromsemester>
          
			<fromyear>2016</fromyear>
		                 
          
          <dc:creator>Dominique, Nilma</dc:creator>
          
          <dc:date>2017-11-20T19:20:06+05:00</dc:date>
          
          <dc:relation>21G.820</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>Portuguese</dc:subject>
          <dc:subject>communication</dc:subject>
          <dc:subject>culture</dc:subject>
          <dc:subject>Brazil</dc:subject>
          <dc:subject>music</dc:subject>
          <dc:subject>Samba</dc:subject>
          <dc:subject>Bossa Nova</dc:subject>
          <dc:subject>history</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-027-asia-in-the-modern-world-images-representations-fall-2016">
          
          <title>21G.027 Asia in the Modern World: Images &amp; Representations (MIT)</title>
          
          <description>We will explore images that pertain to the emergence of Japan as a modern state. We will focus on images that depict Japan as it comes into contact with the rest of the world after its long and deep isolation during the feudal period.&amp;nbsp;We will also cover city planning of Tokyo that took place after WWII, and such topics as the 1964 Tokyo Olympics. A unique feature of this offering is that we will run it concurrently with the edX MOOC and two University of Tokyo MOOCs, Visualizing Postwar Tokyo and Four Faces of Contemporary Japanese Architecture, for much of the remainder of the class.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-027-asia-in-the-modern-world-images-representations-fall-2016</link>
		  
		  
			<fromsemester>Fall</fromsemester>
          
			<fromyear>2016</fromyear>
		                 
          
          <dc:creator>Miyagawa, Shigeru</dc:creator>
          
          <dc:date>2017-08-11T16:45:58+05:00</dc:date>
          
          <dc:relation>21G.027</dc:relation>
          <dc:relation>21H.250</dc:relation>
          <dc:relation>CMS.874</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>visualizing cultures</dc:subject>
          <dc:subject>visualizing Japan</dc:subject>
          <dc:subject>modern Japanese history</dc:subject>
          <dc:subject>Commodore Matthew C. Perry</dc:subject>
          <dc:subject>Westernization in Japan</dc:subject>
          <dc:subject>modernity in Japan</dc:subject>
          <dc:subject>visualizing postwar Tokyo</dc:subject>
          <dc:subject>Imperial Democracy</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-322j-frenchness-in-an-era-of-globalization-fall-2016">
          
          <title>21G.322J Frenchness in an Era of Globalization (MIT)</title>
          
          <description>This course approaches the question of what constitutes Frenchness in today's era of globalization through issues of memory, belonging, and cultural production. It explores the role of timeless traditions &amp;ndash; common technologies, an internationally-spoken language, monuments open to the world, and foods such as wine and cheese &amp;ndash; that remain quintessentially French. The course also covers recent scandals about France's role in the world, such as its colonial identity and Dominique Strauss-Kahn's New York debacle. Taught in French.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-322j-frenchness-in-an-era-of-globalization-fall-2016</link>
		  
		  
			<fromsemester>Fall</fromsemester>
          
			<fromyear>2016</fromyear>
		                 
          
          <dc:creator>Clark, Catherine</dc:creator>
          
          <dc:date>2017-06-20T19:41:05+05:00</dc:date>
          
          <dc:relation>21G.322J</dc:relation>
          <dc:relation>21H.242J</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>globalization</dc:subject>
          <dc:subject>culture</dc:subject>
          <dc:subject>smart power</dc:subject>
          <dc:subject>cultural diplomacy</dc:subject>
          <dc:subject>market forces</dc:subject>
          <dc:subject>cultural adaptation</dc:subject>
          <dc:subject>French history</dc:subject>
          <dc:subject>Europeanization</dc:subject>
          <dc:subject>French culture</dc:subject>
          <dc:subject>immigration</dc:subject>
          <dc:subject>assimilation</dc:subject>
          <dc:subject>burkini</dc:subject>
          <dc:subject>burqa</dc:subject>
          <dc:subject>burka</dc:subject>
          <dc:subject>langue francaise</dc:subject>
          <dc:subject>Les Bulles</dc:subject>
          <dc:subject>Francophone</dc:subject>
          <dc:subject>l'alliance francaise</dc:subject>
          <dc:subject>Camus</dc:subject>
          <dc:subject>The Stranger</dc:subject>
          <dc:subject>le patrimoine</dc:subject>
          <dc:subject>UNESCO</dc:subject>
          <dc:subject>Americanization</dc:subject>
          <dc:subject>the museum</dc:subject>
          <dc:subject>le musee</dc:subject>
          <dc:subject>Louvre</dc:subject>
          <dc:subject>Disney</dc:subject>
          <dc:subject>nation moderne</dc:subject>
          <dc:subject>l'avenir</dc:subject>
          <dc:subject>the future</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-225-advanced-workshop-in-writing-for-science-and-engineering-els-spring-2016">
          
          <title>21G.225 Advanced Workshop in Writing for Science and Engineering (ELS) (MIT)</title>
          
          <description>This course offers analysis and practice of various forms of scientific and technical writing, from memos to journal articles, in addition to strategies for conveying technical information to specialist and non-specialist audiences. Comparable to 21W.780 Communicating in Technical Organizations, but methods in this course are designed to deal with special problems of advanced ELS or bilingual students. The goal of the workshop is to develop effective writing skills for academic and professional contexts. Models, materials, topics and assignments vary from term to term.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-225-advanced-workshop-in-writing-for-science-and-engineering-els-spring-2016</link>
		  
		  
			<fromsemester>Spring</fromsemester>
          
			<fromyear>2016</fromyear>
		                 
          
          <dc:creator>Dunphy, Jane</dc:creator>
          
          <dc:date>2017-02-24T18:11:54+05:00</dc:date>
          
          <dc:relation>21G.225</dc:relation>
          <dc:relation>21G.226</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>writing</dc:subject>
          <dc:subject>science</dc:subject>
          <dc:subject>engineering</dc:subject>
          <dc:subject>scientific paper</dc:subject>
          <dc:subject>scientific presentation</dc:subject>
          <dc:subject>research</dc:subject>
          <dc:subject>grammar</dc:subject>
          <dc:subject>strategy</dc:subject>
          <dc:subject>style</dc:subject>
          <dc:subject>nonlinear writing</dc:subject>
          <dc:subject>coherence</dc:subject>
          <dc:subject>punctuation</dc:subject>
          <dc:subject>peer review</dc:subject>
          <dc:subject>e-mail</dc:subject>
          <dc:subject>memo</dc:subject>
          <dc:subject>letters</dc:subject>
          <dc:subject>verb form</dc:subject>
          <dc:subject>job letters</dc:subject>
          <dc:subject>cover letter</dc:subject>
          <dc:subject>technical memo</dc:subject>
          <dc:subject>use of sources</dc:subject>
          <dc:subject>indefinite article</dc:subject>
          <dc:subject>definite article</dc:subject>
          <dc:subject>abstracts</dc:subject>
          <dc:subject>introductions</dc:subject>
          <dc:subject>plagiarism</dc:subject>
          <dc:subject>proposals</dc:subject>
          <dc:subject>relative clause</dc:subject>
          <dc:subject>publishing</dc:subject>
          <dc:subject>professionalism</dc:subject>
          <dc:subject>conference papers</dc:subject>
          <dc:subject>poster session</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-039j-gender-and-japanese-popular-culture-fall-2015">
          
          <title>21G.039J Gender and Japanese Popular Culture (MIT)</title>
          
          <description>This course examines relationships between identity and participation in Japanese popular culture as a way of understanding the changing character of media, capitalism, fan communities, and culture. It emphasizes contemporary popular culture and theories of gender, sexuality, race, and the workings of power and value in global culture industries. Topics include manga (comic books), hip-hop and other popular music, anime and feature films, video games, contemporary literature, and online communication. Students present analyses and develop a final project based on a particular aspect of gender and popular culture.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-039j-gender-and-japanese-popular-culture-fall-2015</link>
		  
		  
			<fromsemester>Fall</fromsemester>
          
			<fromyear>2015</fromyear>
		                 
          
          <dc:creator>Condry, Ian</dc:creator>
          
          <dc:date>2016-06-17T20:42:58+05:00</dc:date>
          
          <dc:relation>21G.039J</dc:relation>
          <dc:relation>21A.143J</dc:relation>
          <dc:relation>WGS.154J</dc:relation>
          <dc:relation>21G.591</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>gender</dc:subject>
          <dc:subject>Japan</dc:subject>
          <dc:subject>culture</dc:subject>
          <dc:subject>Pecha Kucha</dc:subject>
          <dc:subject>media theory</dc:subject>
          <dc:subject>manga</dc:subject>
          <dc:subject>inequality</dc:subject>
          <dc:subject>economics</dc:subject>
          <dc:subject>robots</dc:subject>
          <dc:subject>technology</dc:subject>
          <dc:subject>anime</dc:subject>
          <dc:subject>anthropology</dc:subject>
          <dc:subject>queer</dc:subject>
          <dc:subject>transgender</dc:subject>
          <dc:subject>hostess club</dc:subject>
          <dc:subject>feminist social theory</dc:subject>
          <dc:subject>gender traits</dc:subject>
          <dc:subject>fujoshi</dc:subject>
          <dc:subject>women</dc:subject>
          <dc:subject>Princess Jellyfish</dc:subject>
          <dc:subject>Kuragehime</dc:subject>
          <dc:subject>convergence culture</dc:subject>
          <dc:subject>participatory culture</dc:subject>
          <dc:subject>capital</dc:subject>
          <dc:subject>debt</dc:subject>
          <dc:subject>power</dc:subject>
          <dc:subject>slavery</dc:subject>
          <dc:subject>sexism</dc:subject>
          <dc:subject>Takarazuka</dc:subject>
          <dc:subject>host club</dc:subject>
          <dc:subject>masculinity</dc:subject>
          <dc:subject>seduction</dc:subject>
          <dc:subject>Onnagata</dc:subject>
          <dc:subject>Kabuki theater</dc:subject>
          <dc:subject>idols</dc:subject>
          <dc:subject>virtual idol</dc:subject>
          <dc:subject>games</dc:subject>
          <dc:subject>Tokyo</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-102-chinese-ii-regular-spring-2015">
          
          <title>21G.102 Chinese II (Regular) (MIT)</title>
          
          <description>This subject is the second semester of four that forms an introduction to modern standard Chinese, commonly called Mandarin. The emphasis is on further developing students' abilities to participate in simple, practical conversations on everyday topics as well as enhancing their abilities on reading and writing. The relationship between Chinese language and culture and the sociolinguistically appropriate use of language will be stressed throughout. A typical class includes performance of memorized basic conversations, drills, questions and discussion, and various types of communicative exercises. At the end of this course, students are expected to develop an understanding of the language learning process so that they will be able to continue studying effectively on their own.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-102-chinese-ii-regular-spring-2015</link>
		  
		  
			<fromsemester>Spring</fromsemester>
          
			<fromyear>2015</fromyear>
		                 
          
          <dc:creator>Liao, Haohsiang</dc:creator>
          
          <dc:date>2016-03-23T19:33:11+05:00</dc:date>
          
          <dc:relation>21G.102</dc:relation>
          <dc:relation>21G.152</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>Chinese</dc:subject>
          <dc:subject>Language</dc:subject>
          <dc:subject>Writing</dc:subject>
          <dc:subject>Speaking</dc:subject>
          <dc:subject>Culture</dc:subject>
          <dc:subject>China</dc:subject>
          <dc:subject>Asia</dc:subject>
          <dc:subject>Mandarin</dc:subject>
          <dc:subject>pinyin</dc:subject>
          <dc:subject>traditional Chinese characters</dc:subject>
          <dc:subject>simplified Chinese characters</dc:subject>
          <dc:subject>basic Chinese</dc:subject>
          <dc:subject>Chinese 101</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-108-chinese-ii-streamlined-spring-2015">
          
          <title>21G.108 Chinese II (Streamlined) (MIT)</title>
          
          <description>This course, along with 21G.107 / 157 Chinese I (Streamlined)  offered in the previous fall, form the elementary level of the streamlined sequence, which is intended for students who, when they began the sequence at beginning level, had basic conversational skills (gained, typically, from growing up in a Chinese speaking environment), but lacked a corresponding level of literacy. The focus of the course is on standard usage, on reading in both traditional and simplified characters, and on writing. The course is conducted entirely in Chinese. Streamlined I and II&amp;mdash;each section is limited to 16 students for pedagogical purposes. Pre-registered students have priority. Continuing students get first priority, followed, in order, by students in 21G.076, declared concentrators and minors, sophomores, freshmen, juniors, seniors, and graduate students. Pre-registered students who did not show up for the first two days of class without warning will be eliminated. Students beginning their studies of Chinese language at MIT above the elementary level must contact the Chinese instructors for a placement test. No auditors allowed.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-108-chinese-ii-streamlined-spring-2015</link>
		  
		  
			<fromsemester>Spring</fromsemester>
          
			<fromyear>2015</fromyear>
		                 
          
          <dc:creator>Liang, Min-Min</dc:creator>
          
          <dc:date>2016-03-15T22:03:38+05:00</dc:date>
          
          <dc:relation>21G.108</dc:relation>
          <dc:relation>21G.158</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>Chinese</dc:subject>
          <dc:subject>Mandarin Chinese</dc:subject>
          <dc:subject>Chinese Learning</dc:subject>
          <dc:subject>Chinese characters</dc:subject>
          <dc:subject>Asian languages</dc:subject>
          <dc:subject>Chinese for beginners</dc:subject>
          <dc:subject>elementary-level Chinese</dc:subject>
          <dc:subject>basic Chinese conversation</dc:subject>
          <dc:subject>basic Chinese reading</dc:subject>
          <dc:subject>basic Chinese writing</dc:subject>
          <dc:subject>basic Chinese dialogue</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-735-advanced-topics-in-hispanic-literature-and-film-the-films-of-luis-bunuel-fall-2013">
          
          <title>21G.735 Advanced Topics in Hispanic Literature and Film: The Films of Luis Buñuel (MIT)</title>
          
          <description>This course considers films spanning the entire career of pioneering Spanish filmmaker Luis Buñuel (1900&amp;ndash;1983), from his silent surrealist classic of 1929, Un perro andaluz, to his last film, Ese oscuro objeto del deseo (1977). We pay special attention to his Mexican period, in exile, and the films he made in, and about, Spain, including his work in documentary. It explores Buñuel's early friendship with painter Salvador Dalí and poet Federico García Lorca, surrealist aesthetics, the influence of Freud's ideas on dreams and sexuality, and the director's corrosive criticism of bourgeois society and the Catholic church. We will focus on historical contexts and relevant film criticism. About This Course on OpenCourseWare The instructor of this course, Elizabeth Garrels, is a Professor Emeritus at MIT. She retired in 2014 after 35 years at the Institute. Professor Garrels taught this course for over 15 years, and it evolved over this time period. Normally, a course on OCW represents the version of a course taught during a specific semester and year. However, for this course we hope to represent the evolution of the course during the main years it was taught. The materials you see here are not from a particular iteration of the course, but are drawn from all of the years the course was taught. &amp;nbsp;</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-735-advanced-topics-in-hispanic-literature-and-film-the-films-of-luis-bunuel-fall-2013</link>
		  
		  
			<fromsemester>Fall</fromsemester>
          
			<fromyear>2013</fromyear>
		                 
          
          <dc:creator>Garrels, Elizabeth</dc:creator>
          
          <dc:date>2016-02-05T19:48:09+05:00</dc:date>
          
          <dc:relation>21G.735</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>film</dc:subject>
          <dc:subject>film studies</dc:subject>
          <dc:subject>film criticism</dc:subject>
          <dc:subject>Luis Bunuel</dc:subject>
          <dc:subject>Freud</dc:subject>
          <dc:subject>Salvador Dali</dc:subject>
          <dc:subject>silent film</dc:subject>
          <dc:subject>surrealism</dc:subject>
          <dc:subject>Federico Garcia Lorca</dc:subject>
          <dc:subject>Mexico</dc:subject>
          <dc:subject>Spain</dc:subject>
          <dc:subject>film history</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    <item rdf:about="https://ocw.mit.edu/courses/global-languages/21g-412-advanced-german-literature-culture-madness-murder-mysteries-fall-2014">
          
          <title>21G.412 Advanced German Literature &amp; Culture: Madness, Murder, Mysteries (MIT)</title>
          
          <description>This course provides the opportunity to discuss, orally and in writing, cultural, ethical, and social issues on a stylistically sophisticated level. It explores representative and influential works from the nineteenth&amp;nbsp;century to the present, through literary texts (prose, drama, poetry), radio plays, art, film, and architecture, as well as investigates topics such as the human and the machine, science and ethics, representation of memory, and issues of good and evil. Taught in German.</description>
          
          <link>https://ocw.mit.edu/courses/global-languages/21g-412-advanced-german-literature-culture-madness-murder-mysteries-fall-2014</link>
		  
		  
			<fromsemester>Fall</fromsemester>
          
			<fromyear>2014</fromyear>
		                 
          
          <dc:creator>Weise, Peter</dc:creator>
          
          <dc:date>2016-02-02T04:50:27+05:00</dc:date>
          
          <dc:relation>21G.412</dc:relation>
          <dc:language>en-US</dc:language>
          
          <dc:subject>German</dc:subject>
          <dc:subject>language</dc:subject>
          <dc:subject>literature</dc:subject>
          <dc:subject>culture</dc:subject>
          <dc:subject>E. T. A. Hoffmann</dc:subject>
          <dc:subject>"Das Fräulein von Scuderi,"</dc:subject>
          <dc:subject>Annette von Droste-Hülshoff</dc:subject>
          <dc:subject>"Die Judenbuche,"</dc:subject>
          <dc:subject>Gerhart Hauptmann</dc:subject>
          <dc:subject>"Bahnwärter Thiel,"</dc:subject>
          <dc:subject>Bertolt Brecht</dc:subject>
          <dc:subject>Kurt Weill</dc:subject>
          <dc:subject>Die Dreigroschenoper</dc:subject>
          <dc:subject>Friedrich Dürrenmatt</dc:subject>
          <dc:subject>Die Physiker</dc:subject>
          <dc:subject>Jakob Arjouni</dc:subject>
          <dc:subject>Happy Birthday</dc:subject>
          <dc:subject>Türke</dc:subject>
          <dc:subject>Tom Tykwer</dc:subject>
          <dc:subject>Das Parfum: Die Geschichte eines Mörders</dc:subject>
          
          <dc:publisher>MIT OpenCourseWare https://ocw.mit.edu</dc:publisher>
          
          <dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see https://ocw.mit.edu/terms/index.htm</dc:rights>
          
    </item>
    
</rdf:RDF>
