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Film Criticism

• 2001 - A Space Odyssey
• Aliens
• Apocalypse Now
• Beasts of No Nation
• Citizen Kane
• Crash Course Film Criticism Preview
• Do the Right Thing
• In the Mood For Love
• Lost in Translation
• Moonlight
• Pan's Labyrinth
• Selma
• The Eagle Huntress
• The Limey
• Three Colors - Blue
• Where Are My Children

Film History

• Breaking the Silence
• Crash Course Film History Preview
• Experimental and Documentary Films
• Georges Melies - Master of Illusion
• German Expressionism
• Home Video
• Independent Cinema
• Movies are Magic
• Outtakes
• Soviet Montage
• The Birth of the Feature Film
• The First Movie Camera
• The Golden Age of Hollywood
• The Inventor Who Vanished
• The Language of Film
• The Lumiere Brothers
• The Silent Era

Film Production

• Crash Course Film Production Preview
• Designing the World of Film
• Dissecting The Camera
• Grip and Electric
• Marketing
• Pitching and Pre-Production
• Producers
• Screenplays
• Sound Production
• Special Effects
• Television Production
• The Cinematographer
• The Director
• The Editor
• The Filmmaker's Army
• To Film School or Not To Film School

Media Literacy

• Crash Course Media Literacy Preview
• Future Literacies
• History of Media Literacy, Part 1
• History of Media Literacy, Part 2
• Influence & Persuasion
• Introduction to Media Literacy
• Media & Money
• Media & the Mind
• Media Ownership
• Media Policy & You
• Media Skills
• Online Advertising
• The Dark(er) Side of Media

Theater

• All Night Demon Dance Party - Kathakali
• Antonin Artaud and the Theater of Cruelty
• Beckett, Ionesco, and the Theater of the Absurd
• Bertolt Brecht and Epic Theater
• Broadway Book Musicals
• Broadway, Seriously
• Chekhov and the Moscow Art Theater
• China, Zaju, and Beijing Opera
• Comedies, Romances, and Shakespeare's Heroines
• Crash Course Theater and Drama Preview!
• Dada, Surrealism, and Symbolism
• Dances to Flute Music and Obscene Verse. It's Roman Theater, Everybody
• England's Sentimental Theater
• English Theater After Shakespeare
• Expressionist Theater

Theater 2

• Federal Theatre and Group Theater
• Futurism and Constructivism
• Get Outside and Have a (Mystery) Play
• Greek Comedy, Satyrs, and Aristophanes
• Hrotsvitha, Hildegard, and the Nun who Resurrected Theater
• Into Africa and Wole Soyinka
• Japan, Kabuki, and Bunraku
• Just Say Noh. But Also Say Kyogen
• Little Theater and American Avant Garde
• Moliere - Man of Satire and Many Burials
• North America Gets a Theater...Riot
• Nostrils, Harmony with the Universe, and Ancient Sanskrit Theater
• Pee Jokes, the Italian Renaissance, Commedia Dell'Arte
• Poor Unfortunate Theater
• Pre-Columbian Theater, Spanish Empire, and Sor Juana
• Race Melodrama and Minstrel Shows
• Realism Gets Even More Real
• Roman Theater with Plautus, Terence, and Seneca
• Rules, Rule-Breaking, and French Neoclassicism
• Shakespeare's Tragedies and an Acting Lesson

Theater 3

• Straight Outta Stratford-Upon-Avon - Shakespeare's Early Days
• Symbolism, Realism, and a Nordic Playwright Grudge Match
• Synge, Wilde, Shaw, and the Irish Renaissance
• The Birth of Off Broadway
• The Death and Resurrection of Theater as...Liturgical Drama
• The English Renaissance and NOT Shakespeare
• The Harlem Renaissance
• The Horrors of the Grand Guignol
• The Rise of Melodrama
• The Spanish Golden Age
• Thespis, Athens, and The Origins of Greek Drama
• Tragedy Lessons from Aristotle
• What Is Theater Crash Course Theater
• Where Did Theater Go Crash Course Theater
• Why So Angry, German Theater Crash Course Theater
• Zola, France, Realism, and Naturalism