on Digital Audio Effects
(DAFx-00)
December 7-9, 2000
Verona, Italy
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on Digital Audio Effects (DAFx-00) December 7-9, 2000 Verona, Italy |
Dipartimento Scientifico e Tecnologico - Aula Tessari
Universita' di Verona
strada Le Grazie, 15 - Verona
DAFx-00 PROGRAM: Presentations
| time | authors | title | chairpersons |
| wednesday, december 6th | |||
| 21.00-24.00 | Welcome Party |
| thursday, december 7th | |||
| 9.00-9.10 | Opening | ||
| 9.10-10.40 | Paper Session 1 | Processing and Effects | E. Favreau - J. Rudi |
| INVITED TALK | J. Chowning | Digital sound synthesis, acoustics, and perception: a rich intersection | |
| G. Evangelista | Real-time time-varying frequency warping via short-time Laguerre transform | ||
| G. Zoia and A. Alberti | A virtual DSP architecture for MPEG-4 structured audio | ||
| F. Keiler, D. Arfib, and U. Zoelzer | Efficient linear prediction for digital audio effects | ||
| 10.40-11.00 | Coffee Break | ||
| 11.00-12.30 | Paper Session 2 | Reverberation and 3-D Sound | J. Casajus - J. Tro |
| INVITED TALK | J.M. Jot | Efficient models for interactive environmental audio spatialization | |
| S. Bilbao | Digital waveguide networks as multidimensional wave digital filters | ||
| T. Lokki and M. Karjalainen | An auditorily motivated analysis method for room impulse responses | ||
| A. Jost and J.M. Jot | Transaural 3-D audio with user-controlled calibration | ||
| 14.00-15.20 | Paper Session 3 | Synthesis and Modeling | G. Evangelista - U. Zoelzer |
| M. Desainte-Catherine and P. Hanna | Statistical approach for sounds modeling | ||
| D. Schwarz | A system for data-driven concatenative sound synthesis | ||
| G. Polotti and G. Evangelista | Harmonic-band wavelet coefficient modeling for pseudo-periodic sounds processing | ||
| I. Bisnovatyi | Flexible software framework for modal synthesis | ||
| 15.20-16.10 | Poster Session 1 | poster run-through + coffee break | |
| 16.10-17.30 | Paper Session 4 | Sound Analysis and Exploration | A. Melka - T. Todoroff |
| G. Tzanetakis and P. Cook | 3D graphics tools for sound collections | ||
| C. Spevak | Analysing auditory representations for sound classification with self-organising neural networks | ||
| M. Leman | Visualization and calculation of the roughness of acoustical musical signals using the Synchronization Index Model (SIM) | ||
| O'Maidin and M. Fernstrom | The best of two worlds: retrieving and browsing | ||
| 21.00-23.00 | B. Maderna, L. Nono, L. Berio | Concert
(Auditorium del Conservatorio) |
| friday, december 8th | |||
| 9.00-10.30 | Paper Session 5 | Control of Sound Effects | G. De Poli - J. Tro |
| INVITED TALK | M. Stroppa | High-level musical control paradigms for Digital Signal Processing | |
| C. Chafe, S. Wilson, R. Leistikow, D. Chisholm, and G. Scavone | A simplified approach to high quality music and sound over IP | ||
| D. Oboril, M. Balik, J. Schimmel, Z. Smekal, and P. Krkavec | Modelling digital musical effects for signal processors, based on real effect manifestation analysis | ||
| J. Tro | Aspects of control and perception | ||
| 10.30-11.00 | Coffee Break | ||
| 11.00-12.30 | Paper Session 6 | Processing and Effects | J. Casajus - U. Zoelzer |
| INVITED TALK | S. Sapir | Interactive digital audio environments: gesture as a musical parameter | |
| H. Penttinen, A. Harma, and M. Karjalainen | Digital guitar body mode modulation with one driving parameter | ||
| A. De Goetzen, N. Bernardini, and D. Arfib | Traditional (?) implementations of a phase vocoder: the tricks of the trade | ||
| C. Drioli and F. Avanzini | Model-based synthesis and transformation of voiced sounds | ||
| 14.00-15.20 | Paper Session 7 | Reverberation and 3-D Sound | D. Arfib - N. Bernardini |
| L. Dahl and J.M. Jot | A reverberator based on absorbent all pass filters | ||
| G. Campos and D. Howard | A parallel 3D digital waveguide mesh model with tetrahedral topology for room acoustic simulation | ||
| F. Beltran and J.R. Beltran | Multi-loudspeaker reverberation system | ||
| A. Sontacchi and R. Hoeldrich | Enhanced 3D sound field synthesis and reproduction system by compensating interfering reflexions | ||
| 15.20-16.10 | Poster Session 2 | poster run-through + coffee break | |
| 16.10-17.30 | Paper Session 8 | Modeling for Synthesis and Transformation | M. Erne - G. Evangelista |
| J. Tuisku | Considerations on window switching with the biorthogonal modulated lapped transform | ||
| M. Laurson, C. Erkut, and V. Valimaki | Methods for modeling realistic playing in plucked-string synthesis: analysis, control and synthesis | ||
| F. Pesce | Realtime-stretching of speech signals | ||
| G. Bertini, Magrini M., and L. Tarabella | Spectral data management tools for additive synthesis | ||
| 20.00-24.00 | Social Dinner |
| saturday, december 9th | |||
| 9.00-10.30 | Paper Session 9 | Sound Analysis and Exploration | N. Bernardini - G. De Poli |
| J.P. Bello and M. Sandler | Blackboard system and top-down processing for the transcription of simple polyphonic music | ||
| A. Klapuri, T. Virtanen, and J.M. Holm | Robust multipitch estimation for the analysis and manipulation of polyphonic musical signals | ||
| F. Gouyon, F. Pachet, and O. Delerue | On the use of zero-crossing rate for an application of classification of percussive sounds | ||
| C.A. Traube and J.O. Smith | Estimating the plucking point on a guitar string | ||
| 10.30-11.00 | Coffee Break | ||
| 11.00-12.50 | Paper Session 10 | Physical Modeling | D. Arfib - V. Syrovy |
| INVITED TALK | V. Valimaki and L.Savioja | Interpolated and Warped 2-D Digital Waveguide Mesh algorithms | |
| S. Serafin and J.O. Smith | A multirate, finite-width, bow-string interaction model | ||
| D.T. Murphy and D.M. Howard | 2-D digital waveguide mesh topologies in room acoustics modelling | ||
| N. Castagne and C. Cadoz | Physical models synthesis: balance between realism and computing speed | ||
| S. Stoffels | Full mesh warping techniques |
| Poster Session 1 (dec. 7) | |||
| F. Fontana, D. Rocchesso, and E. Apollonio | Using the waveguide mesh in modelling 3D resonators | ||
| N. Laurenti and G. De Poli | A method for spectrum separation and envelope estimation of the residual in spectrum modeling of musical sound | ||
| S. Zabarella and C. Drioli | Transformation of instrumental sound related noise by means of adaptive filtering techniques | ||
| C. Feldbauer and R. Hoeldrich | Realization of Vold-Kalman tracking filter. A least squares problem. | ||
| P. Fernandez-Cid et al | A Java framework for FX development | ||
| S. Bilbao | Digital waveguide networks for inhomogeneous media | ||
| Y. Jafry | A modular real-time PC-based audio processing tool for effect developers, engineers, musicians, and educators | ||
| G. Monti and M. Sandler | Monophonic transcription with autocorrelation | ||
| C.M. Burtner and S. Serafin | Extended performance techniques for a virtual instrument |
| Poster Session 2 (dec. 8) | |||
| J.G. Escudero | Continuous and discrete Fourier spectra of aperiodic sequences for sound modeling | ||
| P. Huang, S. Serafin, and J.O. Smith | Modeling high-frequency modes of complex resonators using a waveguide mesh | ||
| S. Marchand | Compression of sinusoidal modeling parameters | ||
| S. Leitner, A. Sontacchi, and R. Hoeldrich | Multichannel sound reproduction system for binaural signals - the ambisonic approach | ||
| D. Bonsi and D. Stanzial | Acoustic test of a basic audio dereverberation process | ||
| D. Carugo | Development of a surround encoding algorithm | ||
| C. Feldbauer and R. Hoeldrich | Analysis, resynthesis and interpolation of car interior noise | ||
| L. Turicchia, G. De Poli, G.A. Mian, and R. Nobili | Audio analysis by a model of the physiological auditory system | ||
| O. Izmirli | Non-harmonic sinusoidal modeling synthesis using short-time high-resolution parameter analysis |
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Conservatorio Statale di Musica "F.E. Dall'Abaco", Verona |
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CIRS Centro Internazionale per la Ricerca Strumentale |