To outsiders,
Uruguayan music is synonymous with
candombe[?], a
percussion-based form that orginated in
Montevideo as a mixture of
European,
Bantu African and native forms, as well as
Argentinian tango (which was also developed in Uruguay, but is more often considered Argentinian). Cadombe is usually played by three drums called the piano, repique and chico. It is also related to
Caribbean musical forms like
son[?] and
tumba[?]. Candombe had evolved by the beginning of the
19th century and was immediately seen as a threat to the elites, who sought to ban the music and its
dance in
1808.