The former
French colonies of
Martinique and
Guadeloupe are small islands in the
Caribbean. Despite their small size, Martinique especially has had a profound influence on the music of the Caribbean basin and the world as a whole.
Biguine[?] is a Martinican form of
clarinet and
trombone music which can be divided into two distinct types:
Chouval bwa[?] features
percussion,
bamboo flute,
accordion and wax-paper/comb-type
kazoo. The music originated among rural Martinicans. Since its development, chouval bwa has diversifed into genres like
zouk chouv[?], which includes electric instrumentation.
Gwo ka[?] is a family of hand drums used to create a form of
folk music from
Guadeloupe. It is often accompanied it by another type of
percussion instrument called
twi ba[?] as well as vocal elements.
In the
1970s, a wave of
Haitian immigrants to Martinique brought with them the
kadans[?], a sophisticated form of music that quickly swept the island and helped united all the former French colonies of the Caribbean by combining their cultural influences. Unlike biguine and earlier
folk musics, kadans soon brought professional bands to Martinique.
Kadans dominated Martinican music until the mid-
1980s, when
zouk[?] appeared as a combination of
Indian,
European,
African and
American musics. The band
Kassav[?] remain perhaps the best known zouk group. Kassav drew in influences from
balakadri[?] and
bal granmoun[?] dances, biguines and
mazurkas, along with more contemporary Caribbean influences like
reggae and
salsa music. Zouk live shows soon began to draw on American and European rock and heavy metal traditions, and the genre spread across the world, primarily in
developing countries.